Graham Foust, Necessary
Stranger
Graham Foust’s third book offers agile poems of dread and
humor. As Robert Creeley writes:
Curious one should think of the way that trickles of water would
then find paths down the edge of the street after rain, the way
one would squat for hours contriving diversions, little dams of
twigs and pebbles, bits of stick, dirt, paper. Then float leaves
on the current still persisting, watching the progress of them either
end up in a cul de sac or else sail off in proverbial glory. I was
supposed to be getting home after school, but this was far more
interesting.
Graham Foust’s poems are “far more interesting”
and find their way through like impedances, moved on by just such
currents. Think of the myriad “rhetorics” that overlay
our speaking. “Hey there!” “Sir?” And so
on, not to mention all the frames and habits, which (that!) make
saying anything (something? some thing?) so freighted.
There is also the pace as in W.C. Williams’s “The
old horse dies slow…,” if you know that poem. These
poems move in close to luxuriant circles, round and round each particular
syllable, neither hurrying nor dragging behind—just there.
At times there seems an almost physical presence to them, a third
dimension, which is substance.
There are years between us but we meet nonetheless in these places,
thinking (“I think / think think once / in a while”)—thinking.
In fact, he’s the first person who ever moved me to look up
the etymology of that word think: “tong-. To think,
feel . . . Old English thancian, to thank . . .”
Anyhow, methinks I owe this poet thanks for fact of us both finding
wit in stone and much else. He feels, therefore he knows.
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ISBN 0-9787467-1-6
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